Old Kyle once formed part of an important Early Christian Monastic site on the borders of the ancient Kingdoms of Munster and Leinster. It also seems likely that the site was of significance, long before the arrival of Christianity to Ireland in the 5th Century A.D. Old Kyle is recorded in early records as Clonfertmulloe, association with St. Molua, one of the foremost monks of Ireland from the 6th Century. Set within the
Nestled on a low hillock approximately 500m west of the River Barrow, near Carlow Town, is the site of St. Fiacc’s monastery, in the townland of Sleaty, Sletty or Sleibtach (House near the mountains) County Laois. Fiacc was undoubtedly a highly influential figure during the period of transition from Paganism to Christianity on the island. He was born to a son of a Prince from the ancient kingdom of Hy-Bairrche, mainly located in the modern
Aengus the Culdee or Aengus Céilí Dé (Aengus the servant of God), March 11th marks his death. Aengus lived, studied and died right here in Co. Laois. Aengus was quiet a remarkable figure within the Early Christian Church in Ireland. He was born sometime in the mid-8th century A.D the son of Oengobhan, a King from the Dalriada, an area which included lands in Ulster and Western Scotland. The Culdees were reputed to be a
Along the main road between Mountrath and Portlaoise, the R445 pierces through the heart of what was once one of the most revered and influential monastic establishments of Ireland and indeed Europe during the Early Medieval period. The following attempts to address the influence that Clonenagh played from its humble origins in the mid-6th Century A.D, until its eventual decline with the arrival of the Anglo-Normans, up to the present day where it has continued
This Sheela-na-Gig is located on the south end of the east wall of the great Mac Gilla Padraig Castle at Cullahill Co. Laois. There are at least seven recorded Sheela’s from the county of which only three can be traced today. Sheela-na-Gigs are often found on old monastic buildings throughout the country as well as at some castle sites. In general the Sheela’s are carved in relief holding their genitalia, this theme is evident from
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